Simone reminds me of the class perspective: musicians here behave like atomized small owners, caught in their enterprecarity, who (legitimately) ask for some defense of their property rights, attacked both by hackers and by the big monopolists of platforms and AI. Because from these property rights, in this case IP, comes a rent, and from this rent, independent artists and label owners try to make a living. Again, right or wrong, this is what’s happening.
I remember reading somewhere that independent artists make basically no money from Spotify.
Is that still true, or have creators found a way to claw back value from the platform, and that’s why they’re defending it?




Depending on where you look, Grindr CEO George Arison’s net worth is $20–80 million.
He joins a growing list of gay executives hell-bent on proving that enshittification isn’t just for the straights.